REVIEWS
Alberto Sanabria - Theater critic
"In the theatrical aspect, turns out to be interesting how the objects, a teddy bear, two jackets and various pairs of shoes, manipulated by the performers, come to life to rebuild in an almost child-like form a story of great psychological charge "
HERNANDO PARRA - DIRECTOR of TEATRO R101
" A solid story, well-constructed characters and an impeccable scenography are the ingredients of this play that deals with a subject as difficult as fascinating: Madness. A risky bet that manages to transcend the story and takes us into the exciting world of the human psyche in extreme situations. "
LILIANA ESCOBAR - Social communicator, journalist, member of Teatro Petra
"A staging that since the moment one enters the place it starts off as mysterious, slow, almost distressing but captivating and then it surprises you with shocking images and resources as beautiful as the animation of objects to recall lurid facts of the protagonist's life. Quite a journey. "
KATALINA MOSKOWICTZ - dIRECTORA of TEATRO lA NAVAJA DE OCKHAM
"A daring proposal that explores the manipulation of objects with texts and themes for adults. A setting that delves into perversions and the human psyche. I highlight the risk of the staging with fair performances and the building of a strong scenic space such as the Gessell Chamber that becomes the center and support for the characters’ performances. Interesting inquiry they make about the space and the object. "
JUAN CAMILO AHUMADA - Director of the Proyecto 7 Pecados
"It’s a machiavellian project through which they take it against a helpless young man. The fable can be understood but it’s not the protagonist. It is about a very clever mix of technical games (audio, visual), object animation and dramatic theater. A simple and powerful play. Attending to this play is to dive in an experience for the senses. I find the work with objects to be particularly interesting; the elements of the staging build up a unique universe. "
ARGENIS LEAL - art Journalist
"It is a play with a surprising scenography that takes the viewer to a real Gessell Chamber, in addition to its story that addresses the issue of child abuse, it also stands out the manipulation of objects that give life to many of the characters.”
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